PRESS
Marc Stone Band
Marc Stone Acoustic
CD Review of
Kickin' at the Old Point
>> Marc Stone
Band
"The highlight of the concert- which no
one will deny - came clearly at the end of the
evening with the Marc Stone Band. Funky, (and
in part freaky), the steel guitar artist and
his band from New Orleans created a party atmosphere
and brought the audience to it's feet with dancing,
shouting and crying."
Appenzeller Zeitung, Switzerland
"As a solo act, Stone is known as a blues
guitarist and singer, but his approach to the
blues is anything but standard issue. His experience
playing zydeco in the bands of C.J. Chenier,
Dwayne Dopsie and Terrance Simien brings a hard-edged,
rhythmic flow that keeps his blues from dragging
too much tail. His R&B chops from backing
up Eddie Bo, Marva Wright and John and Sista
Teedy Boutte ensure that the foundation of all
of these tracks is deeply rooted in soul."
OffBeat Magazine, New Orleans
"The only two things Marc Stone carries
are his Galveston-Steel-Guitar and his extraordinary
voice. Christof Waibel seams to be his soul
mate. There is only one word for what the two
of them presented the audience of the K4 Kulturecafe:
Brilliant!! The two professionals bring it to
the point, and the music becomes alive. Stone
involves the audience not only with his voice
and his songs but also by creating a very special
atmosphere."
Füssener Blatt, Germany
>> Marc
Stone Acoustic
"One guitar, one chair, this Blues pro
doesn't need more. From the first chord the
crowd was swaying to and fro."
Kraichgau Stimme, Germany
"Stone is also a masterful acoustic blues
player."
OffBeat Magazine,
New Orleans
>>
Kickin' at the Old Point
Offbeat Magazine CD Review
By John Swenson
Musician, WWOZ radio personality and OffBeat
columnist Marc Stone has been running one of
the coolest regular gigs in town over the last
two years at the Old Point Bar. Many of his
roots-music playing and songwriting peers have
made it over to Stone’s sessions, and
some of the highlights of these magic evenings
are collected on Kickin’ At The Old Point,
Stone’s first full-length album release.
As a solo act, Stone is known as a blues guitarist
and singer, but his approach to the blues is
anything but standard issue. His experience
playing zydeco in the bands of C.J. Chenier,
Dwayne Dopsie and Terrance Simien brings a hard-edged,
rhythmic flow that keeps his blues from dragging
too much tail. His R&B chops from backing
up Eddie Bo, Marva Wright and John and Sista
Teedy Boutte ensure that the foundation of all
of these tracks is deeply rooted in soul. Anybody
who’s listened to Stone’s “Soul
Serenade” radio show knows that his blues
comes in a multiplicity of forms from the sacred
steel of the Campbell Brothers to the futuristic
vision of the Dakah Hip Hop Orchestra.
Kickin’ It... runs the gamut, from the
foot patting instrumental groove of Willie Mitchell’s
“20-75” to the creosote funk slab
of Bonerama’s “Bap Bap.” Stone’s
arrangement ingenuity shines on “Restless
Heart,” which breaks from an intricate
instrumental intro to a syncopated funk chorus
that allows plenty of space for Marc Adams’
piano fills under Stone’s vocal. The second
line strut of “Tell Me” has a chorus
that sounds like something Isaac Hayes might
have written for Sam and Dave back in the day.
Stone is also a masterful acoustic blues player,
and some of the album’s highlights come
on interpretations of delta classics. On Fred
McDowell’s “Write Me a Few Lines”
and Elmore James’ “I Can’t
Hold Out,” Stone trades steel resonator
slide licks with Camile Baudoin on nylon string
guitar as Washboard Chaz supplies the percussion
accompaniment and Sean C joins in on harmonica.
Baudoin returns for the live rave up, “Bye
Bye Shuffle.”
The album includes a couple of bonus studio
tracks — “Pimpin’ Green,”
an overdubbed guitar extravaganza with a ripsaw
second pass from Stone on Dave Malone’s
borrowed pink Strat, and the wonderful acoustic
finale, “Drunk Show,” with Harry
Hardin’s crazy walking fiddle and a late
night chorus led by Big Al Carson summing up
the spirit of the whole enterprise.
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